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Heathen Harvest - Interviews (page 9)
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Interviews
Íon Interview; Purity

Most of it was recorded in Ireland, but I went for a recording session in Athens, Greece, as I was desperate to get on with the album and a good friend of mine offered to help me out. Some people recorded parts and send them to me. It wasn’t that difficult really, as its very minimal music, so there isn’t that much instrumentation. I actually played most of it myself.

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Irfan Interview; Return to Eden

As you probably know the percussive instruments are the first invented instruments in pre-historic times,they are related to the first religious form of experience the shamanism.The percussions have a special role in Bulgarian, Balkan and Oriental folklore music and ritual traditions.

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Iszoloscope Interview; A Sovereign Reflection

Honestly I just make the music I want and that's about it. Yeah I like to dance and all that. I like dark ambient and I like experimental and as long as I like it I'll make it. If someday I wake up and decided I hate industrial music and think, this sucks! Well I won't see it that way I'm sure. But if suddenly I don't like something it won't be created like that any more. I have no contractual obligation with anybody.

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Jarboe Interview; Kiss of Life

It isn't metal. My work will always be "Jarboe" and that means no category or style other than the worlds I create in my head.

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Joan Silver Pin (Alexander Senko) Interview; New Ideas from Old Worlds

On the other hand, I like very much to synthesize electronic sounds, play with synthesizers’ handles, build chains of different algorithms of sound treatment or to change sounds of acoustic instruments, to get from them completely new sounds as a result.

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Kampfar Interview; Kledd I Brynje og Smykket Blodorm

We don’t want to be associated with Nazism at all – that has nothing to do with us. In the beginning,

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Karjalan Sissit Interview; Pig Society

Make Pesonen is the Finnishest Swede, founder of the black metal band The Black, the man behind Karjalan Sissit, a nowadays unavoidable martial industrial act, and also behind Pesonen, simply the purest harsh noise metastasis of Karjalan Sissit… Make kindly accepted to answer our questions to our great satisfaction.

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Kenji Siratori Interview; Massacre Machine

I sample the transgressive genomics strategy circuit of a chemical=anthropoid. Industrial quickening of the abolition world is notified in my writing. Life=noise of a drug fetus corrodes the brain universe that tera of dogs were ill-treated on biocapturism. I praise Foetus’s work. Foetus transplants the drug fetus army to a nerve cell.

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Knifeladder (John Murphy) Video Interview; Born Under Fire



This is an interview with John Murphy of Knifeladder recorded and edited by Adam Torruella for Heathen Harvest and the F-consortium.

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Knifeladder Interview; Born Under Fire

It can be argued that the Knifeladder compositional method is sort of semi improvised collaboration ..each member playing and improvising with the others ..and songs/pieces sort of form themselves ..a sort of communal "O" Mind where we blend together in rehearsal and the like to produce something made and sound sculptured collectively and beyond by each of us..perhaps a ghostly invisible forth mind and member appears in the ether around us and helps mould our sound into overall shape ...

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