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Heathen Harvest - Interviews (page 4)
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Interviews
Clint Listing Interview Pt. III; Season of Destruction

2007 has been a struggle again but I'm still breathing . I hope you will all support Absolute Zero Media and all I create still. Thank you for the fans out there as you are always supportive and amazing to meet. I want to say Ryan we need Ragnarokia II and support Autumn Wind Productions...

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Clyson Interview; Annihilation

The band was found around January in 2007. But it actually started to show it’s existence long before that.

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Coil Interview; Absolute Elsewhere

Again it was experiences such as bunking of from school and going to watch Pasolini's "SALO" with my friend Tom all on our own in a cinema in Oxford, or again, like Peter, discovering William Burroughs books (picked up in cheap paperback editions at jumble sales (the thrill and subversion of being sold these wonderful culture bombs...

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Colosseum Interview; Corridors of Desolation

Colosseum started as my project exploring the Funeral Doom influenced by dark ambient and classical works. I found a members for this group pretty quickly. I knew Olli (guitar) and Janne (bass) from previous musical projects and found Sameli (drums) through internet.

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Compulsive Shopping Disorder Interview; Attraction of Pain

The most important thing is that you must sing in the Polish language. This is the first step to be known in Poland.

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Cyclic Law Records Interview; A Shadow Among Shadows

...many of the contacts I made with projects of interest to me, Kammarheit, Svartsinn and Northaunt came from all of us having a page on Mp3.com, and since I had established the label at the same time I asked them if they’d be interested I having their music on a proper format and all gladly accepted.

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D/A A/D Interview; Latent Psychological Crises

D/A A/D is just over 2 years old. The name?.. Well originally it was D/A/D, and stood for Digital / Analog / Digital.

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Daniel Myer Interview; Solid State Logic

Architect is my baby. I can do what ever I want to do. So it’s my favorite as well. And it gets more and more heavier. I play at a lot of noise festivals and it’s a pleasure for me, to see people screaming at me, because of this shit. Architect is so much slower that most of the noise stuff out there, but the people love it, I just had that experience the last weekend.

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Darkwood Interview; The Dusk Draws Near

"Flammende Welt" deals with the American role after WWII, especially mentioning the influence on the German and European self-confidence. Consequently, there are also some songs giving rise to hope and expressing strength and optimism. The CD shall invoke a proud feeling for our cultural and historical heritage regardless of any anti-German propaganda. People shall choose a conservative way of living - striving forward into the light but retaining old values and preserving tradition.

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David E. Williams Interview; Williams Tells

hat’s a CRUEL question, but it’s also intelligent, fair and possibly even essential. Well, you know what they say about sociopaths. The only pain they feel is their own. Should the author of ‘Bad Day Anyway’ be allowed to cry? Or do I surrender that right?

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